We have a passion for following future-forward architecture that pushes the envelope of environmental design. Imagine our excitement when we saw these recently released photos of Taiwan’s Next Gene 20! The project challenges 20 acclaimed architects to design 20 villas along the north-east coast of Taiwan. The selected architects include big international names such as MVRDV, Graft, Kengo Kuma, and Julien De Smedt as well as 10 up and coming Taiwanese architects. The designs showcase an impressive array of styles ranging from minimalist modules to elaborate biomorphisms, yet they are all united around the common goal of integrating seamlessly with their environment. These results are the fruit of an exciting cultural exchange, and they provide some cutting edge concepts for the future of architecture.
The Next Gene 20 project was developed by Genuine Group as a way to foster an exchange of ideas between Eastern and Western architects. Each design takes great strides to integrate harmoniously with its immediate environment. The results of this year’s Next Gene20 emanate these ideas with stunning, innovative designs. Above, ‘Floating Courtyard’ by Ray Chen, cuts a modern silhouette with its sleek facade.
Japanese architect Kengo Kuma and Associates design Sunlitun SOHO
Sanlitun SOHO will be one of the largest commercial and residential complexes available for sale in central Beijing. The current main stream for urban development in the world is the combination of super-skyscrapers and plazas, however the architects for this scheme tried to reproduce a human-scale, maze-like space within the city by using medium rise architectures.
The project is divided into the South district and the North district. For the South District, a Chinese street style called Hutongs was referred to. The street is slightly curved and twisted to produce the maze-like characteristic. For the North district, a courtyard house called Siheyuan was referred to. Two enclosures were created, the exterior and inner enclosure, and at the center of the two enclosures, a sunkun garden with dense plants was designed. To realize human-scale spaces that existed in the Hutongs and the Siheyuan, large and plain surfaces were avoided for the skin of the architecture. The skin was divided into smaller mosaic spanels. For the details of each individual panel, the architects tried to create an expression which would change depending on the condition of the light, similar to the skin of a creature, by using acrylic bars with multiple colors and ceramic printing technique with patterns modified from Chinese traditional lattice screen.
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- Tags: Architecture, Beijing, Building, Chinese, Commercial Center, Kengo Kuma, Residant, Soho, Tower
